![]() In American Prometheus, on which the film Oppenheimer is based, authors Kai Bird and Martin J. should initiate talks with the Soviet Union to halt the proliferation of nuclear weapons. TOO LATE: In 1965, Oppenheimer was asked whether the U.S. At the same time, they would try to quantify the risk of igniting the air and sea. Given the worry that German scientists working for Hitler would be pursuing their own atomic bomb, Compton and Oppenheimer decided they had no option but to press ahead with their efforts to build theirs first. Log in or Join now.įaced with the possibility of “ultimate catastrophe,” Compton later told writer and Nobel laureate for literature, Pearl Buck, it would be “better to accept the slavery of the Nazis than to run the chance of drawing the final curtain on mankind!” Nautilus Members enjoy an ad-free experience. ![]() ![]() If the Manhattan Project succeeded, might the bomb ignite an uncontrollable fusion chain reaction in the hydrogen of the ocean water or in the nitrogen atoms of the atmosphere? Might the bomb transform the planet’s air itself into an ever-expanding fireball? Such a process would only be initiated at tremendous temperatures-but that is precisely what the fission bombs would produce. In Compton’s later account, Oppenheimer explained that the Los Alamos scientists had discovered that, as well as liberating atomic energy by nuclear fission, very light atoms like hydrogen could release energy by fusing together into heavier nuclei. When Oppenheimer arrived, Compton drove him to the lake where they could talk in secrecy. That kind of life-or-death gamble makes for a dramatic movie scene. The project was led by Oppenheimer, an enigmatic, chain-smoking American theoretical physicist who had contributed important work in fields ranging from quantum mechanics to nuclear and molecular physics, astronomy to general relativity. He had to talk about a matter so important that it was worth taking the train all the way from Los Alamos, New Mexico.Ĭompton, a Nobel laureate in physics for his research on the interactions of light and matter, was one of the key scientific architects of the Manhattan Project, the secret operation at Los Alamos during World War II to construct an atomic bomb before the Nazis did. Her pieces, which combine porcelain with other media including glass and salt crystals, references the Victorian Cabinet of Curiosities and the early microscopic photographs of the natural world by Karl Blosfeldt.In July 1943, Robert Oppenheimer called Arthur Compton to say he was coming to Michigan, where Compton was on a brief vacation with his wife and son in a lakeside house. Lucille Lewin's work is the result of research into the origins into 18th century European porcelain and the alchemists who invented it. Lucille's work is experimental, beautifully made and totally original this is work with a future.' The judges, Janice Blackburn, former Curator of Arts and Crafts at Sotheby's collector Preston Fitzgerald collector and philanthropist, Maylis Grand and the Crafts Council's Daniella Wells, continued: 'We were looking for originality and a strong voice and we were in total harmony about our choice of winner. She was chosen from 10 shortlisted artists for her work that the judges described as 'completely original' This strand of the Young Masters Art Prize was launched in 2014 to give a separate platform for ceramics and highlight the creative and innovative potential of this artistic medium. "Lucille Lewin has been announced as the winner of the £1,500 Young Masters Maylis Grand Ceramics Prize, which is supported by collector and philanthropist Maylis Grand. Lucille wins young masters MAYLIS GRAND ceramicS prize
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